Realistic Water Reflection

Friday, February 18, 2011
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Realistic Water Reflection



Step 1: Duplicate The Background Layer
With our image newly opened inside Photoshop, we can see in the Layers palette that we currently have one layer, the Background layer, which contains our image:


We need to duplicate the Background layer, and we can do that using the keyboard shortcut Ctrl+J (Win) / Command+J (Mac). Now when I look in my Layers palette now, I can see that I now have two layers - my original Background layer on the bottom and a new layer, "Layer 1", above it which is my duplicate:


Step 2: Add More Canvas Space To The Bottom Of The Document
We're going to add our water reflection below the image, so let's add some canvas space to the bottom of our document to make room for our reflection. To do that, go up to the Image menu at the top of the screen and choose Canvas Size. This will bring up Photoshop's "Canvas Size" dialog box. The easiest thing to do here is to add twice as much canvas space as what we currently have, but we only want it to appear at the bottom of the document, not above it or on either side, so we need to tell Photoshop exactly where we want this extra canvas space to go.

First, enter 100 for the Height and set the measurement to percent, as circled in red below. Leave the Width option set to 0. Then make sure the Relative option is checked, which tells Photoshop to give us 100% more canvas space than what we already have. Below the "Relative" option is a 3x3 grid of squares. This is where we tell Photoshop where we want to place our additional canvas space. Click inside the square in the middle of the top row (again as circled below). This tells Photoshop not to place any of the extra canvas space above the document and instead to place all of it at the bottom:


Click OK to exit out of the dialog box, and Photoshop will add the extra canvas space to the bottom of the image:


Step 3: Flip The Top Layer Vertically
In order to create our reflection, we need to flip our image upside down, so let's do that.

With the top layer selected in the Layers palette, go up to the Edit menu at the top of the screen, choose Transform, and then choose Flip Vertical.

Photoshop will flip the image upside down in the document:


Step 4: Drag The Flipped Image To The Bottom Of The Document
We need the flipped image to be at the bottom of the document, so grab your Move Tool from the Tools palette, or press V on your keyboard for the shortcut:


Then, with the Move Tool selected, click inside the document and drag the flipped image down to the bottom until the top of it is lined up with the bottom of the original image above it. Hold down Shift as you drag to make sure you drag down in a straight line:


Step 5: Add A New Blank Layer
Now that we have our flipped image in place, we can begin to create our water ripple effect. First, we need to add a new blank layer at the top of the Layers palette, so with "Layer 1" still selected, click on the New Layer icon at the bottom of the Layers palette:


Step 6: Fill The New Layer With White
We're going to fill our new blank layer with white. If white is not currently your Background color, press D on your keyboard, which will reset Photoshop's Foreground and Background colors, making black your Foreground color and white your Background color. Then use the keyboard shortcut Ctrl+Backspace (Win) / Command+Delete (Mac) to fill the new layer with the Background color (white). Your document will be filled with solid white.


Step 7: Apply The "Halftone Pattern" Filter To Create Black And White Horizontal Lines
Go up to the Filter menu at the top of the screen, choose Sketch, and then choose Halftone Pattern. This brings up Photoshop's Filter Gallery (in Photoshop CS and higher) set to the "Halftone Pattern" filter options on the right, with a large preview of the effect on the left. We're going to use this filter to add a series of black and white horizontal lines to the image. These lines are going to become our water ripples . The more lines we have, the more ripples we'll have. First, we want to make sure we're creating lines and not dots or circles, so set the Pattern Type option to Lines. We control the number of lines by adjusting the Size option. Lower values give us more lines, since we're lowering the size of each line, and higher values give us fewer but thicker lines. I'm going to set my Size value to 7, which I think works best for my image. You may want to experiment with this value on your own. The Contrast option below it determines how sharp the edges of the lines are. Lower values give you softer lines, white higher values give you hard edge lines. Set this value all the way to 50 to give your lines sharp edges. We're going to soften them ourselves with the Gaussian Blur filter in a moment:


Click OK when you're done to exit out of the dialog box, and Photoshop will fill the image from top to bottom with your black and white lines:


Step 8: Apply The "Gaussian Blur" Filter To The Lines
Before we can use our black and white lines as water ripples , we need to smooth them out and create nice, smooth transitions between them. To do that, go up to the Filter menu once again, choose Blur, and then choose Gaussian Blur, which brings up the "Gaussian Blur" dialog box. Keep an eye on your image and drag the slider at the bottom of the dialog box to increase the Radius value until the lines have a very soft edge to them. I'm using a small image for this tutorial, so for me, a Radius value of about 4 pixels works well. If you're using a larger, high resolution image, you'll need to set yours to a higher value:


Click OK to exit out of the dialog box and apply the blur to the lines.

Step 9: Duplicate The Lines Layer As A New Document
We're going to create a brand new document out of our lines layer, which we'll then use as our displacement map for our water ripples . With the lines layer selected, go up to the Layer menu at the top of the screen and select Duplicate Layer, which brings up the "Duplicate Layer" dialog box. In the "Destination" options, click on the down-pointing arrow to the right of the Document option and set it to New, which will create a new Photoshop document out of our layer:


Click OK to exit out of the dialog box, and your layer will open up in a new document on the screen.

Step 10: Save The New Document And Close Out Of It
This new document that we've created is going to become our displacement map, but before we can use it, we need to save it. We're also going to close out of it after we've saved it, since we won't need it open anymore, and the easiest way to accomplish both of those tasks is to simply close out of the document. When you try to close out of it, Photoshop will as you if you want to save the document before closing it. Click Yes:


Photoshop will bring up the Save As dialog box. You can name your new document anything you like. I'm going to name mine "water-ripples". Make sure you save it as a Photoshop .PSD file, since those are the only files that Photoshop can use as a displacement map. You'll probably want to save the document to your Desktop, since we'll need to find it again in a moment.

Step 11: Delete The Lines Layer
Now that we've used our black and white lines to create the file we'll be using as our displacement map, we can get rid of it. To do that, simply click on it and drag it down onto the Trash Bin icon at the bottom of the Layers palette:


Step 12: Merge The Two Layers Onto A New Layer
Before we can add use our displacement map, we need to merge our two image layers onto a new layer above them. To do that, with "Layer 1" selected, use the keyboard shortcut Shift+Ctrl+Alt+E (Win) / Shift+Command+Option+E (Mac). Nothing will appear to have happened in the document, but if we look in the Layers palette, we can see that both layers have been merged onto a new layer at the top:


Step 13: Use The "Displace" Filter To Create The Water Ripples
We're ready to create our water ripples using the displacement map we just created. With the new merged layer selected in the Layers palette, go back up to the Filter menu at the top of the screen, choose Distort and then choose Displace .

This brings up Photoshop's "Displace" filter dialog box. This is where we determine the strength of our ripple effect, and we do that with the Horizontal Scale option at the top. I'm going to set mine to a value of 4, which will give me a realistic ripple effect. You may want to experiment with this value with your own image. Setting it too high though will create too much of a horizontal distortion and you'll lose the realism.

We don't need any vertical distortion to create our effect, so set the Vertical Scale option to 0. Also, make sure that Stretch To Fit and Repeat Edge Pixels are selected:


Click OK in the top right corner of the dialog box, and Photoshop will ask you which file you want to use as your displacement map. Choose the file that you just saved a moment ago, which I saved to my Desktop as "water-ripples.PSD", and then click Open. Photoshop will then apply the displacement map to the entire image, creating our water ripples :


Step 14: Hide The Ripples On Top With A Layer MaskOf course, we have a slight problem at the moment. We've added our water ripple effect to the entire image, and we only wanted it in the bottom half. We can fix that easily though using a layer mask. First, Ctrl-click (Win) / Command-click (Mac) directly on the thumbnail for "Layer 1" in the Layers palette to place a selection around the flipped image at the bottom of the document:


You'll see a selection appear around the bottom half of the image in your document. Now, with the merged layer still selected, click on the Layer Mask icon at the bottom of the Layers palette:


Photoshop will add a layer mask to the merged layer, and because we had a selection around the bottom half of our document when we added the layer mask, only the bottom half of the merged layer remains visible. The top half becomes hidden from view, removing the unwanted water ripples from that part of the image:


We're almost done. Let's finish things off by adding a hint of color to the water, which we'll do next.

Step 15: Apply The "Gaussian Blur" Filter To The Layer Mask
Before we add our finishing touch by colorizing the water , let's soften the edge of the layer mask a little so there isn't such a harsh dividing line between the image on top and the water below. We'll use the Gaussian Blur filter for that, and since we want to apply it to the layer mask, we'll need to first select the mask. We can do that by clicking on the layer mask thumbnail in the Layers palette:


You can tell that the layer mask is now selected by the white highlight box around its thumbnail. We're going to apply the Gaussian Blur filter to the mask, so go back up to the Filter menu, select Blur once again, and then select Gaussian Blur. When the dialog box appears, simply click OK to apply the same Radius value we used previously.

Step 16: Colorize The Water With A Hue/Saturation Adjustment Layer
Let's finish things off now by adding just a hint of blue to our water, and we'll use a Hue/Saturation adjustment layer for that. We want the adjustment layer to only affect the bottom half of the image where the water ripples are, so hold down your Alt (Win) / Option (Mac) key, click on the New Adjustment Layer icon at the bottom of the Layers palette, then select Hue/Saturation from the list of adjustment layers:


By holding down "Alt/Option", this tells Photoshop to bring up the New Layer dialog box before adding the adjustment layer. Select the Use Previous Layer To Create Clipping Mask option by clicking inside the checkbox to the left of it:


This option tells Photoshop that we want the adjustment layer to affect only the layer directly below it in the Layers palette, and since the layer below it is the layer containing our water ripples , only the water ripples will be colorized, which is what we want. Click OK to exit out of the dialog box.

This will bring up the Hue/Saturation dialog box. We want to colorize our water, so the first thing we want to do here is select the Colorize option in the bottom right corner. Then select the color you want your water to be by dragging the Hue slider at the top. I'm going to drag my slider to the right to a value of about 218, which I think is a good color for my water :


Click OK to exit out of the dialog box , and you'll see that your water on the bottom has now been colorized, but the color is much too strong at the moment.

Step 17: Lower The Opacity Of The Hue/Saturation Layer
To reduce the intensity of the color we just added to the water , all we need to do is go up to the Opacity option in the top right corner of the Layers palette and lower the opacity value. I'm going to lower mine all the way down to about 25%, which adds a much more realistic amount of color to the water :


Once you've lowered the opacity of the adjustment layer to reduce the color intensity of the water , you're done!

Here once again is my original image for comparison:



And here is my final "water reflection" result:

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Create a Fictional Arctic Snow Frog in Photoshop

Tuesday, February 15, 2011
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Create a Fictional Arctic Snow Frog in Photoshop




Step 1
Open the original ice background image in Photoshop.



Step 2
Create adjustment layers for background by clicking icon in the bottom menu of the Layers Palette and choose Hue/Saturation and Levels. Adjustment layers allow you to correct layer setting non-destructively. In order to apply adjustments only for the base layer (background layer in this case), create clipping masks. Select adjustment layers (make them active), right click > choose "Create Clipping Mask". Apply setting for each adjustment layer like on the examples below.




Step 3
Group background layer with adjustment layers and duplicate the created group. To group several layers, select them and click small "folder" icon. Merge the duplicated group. Apply Surface filter to the merged layer, go to Filter > Blur > Surface Blur.


Step 4
Choose Screen Blending Mode for the blurred layer and Opacity 90%. Add Layer Mask and touch it with large soft brush in the right part of the image. To make ellipse brush, change settings in the Brushes settings palette.



Step 5
Add Levels adjustment layer, create clipping mask from it and make blurred layer lighter using following settings.


Step 6
Insert another ice texture Menu > File > Insert. Go to Edit > Transform > Flip Vertical and Flip Horizontal. Choose Polygonal Lasso Tool and click in the ice contour area to set the starting point. Continue clicking around marked red area to set endpoints for subsequent segments. To close the selection border click over the starting point. Find Refine Edge option in the selection tool options bar to improve the quality of a selection’s edges.



Step 8
To extract selected ice area click "Add Layer Mask" icon.


Step 9
Add adjustment clipping masks to the "Ice" layer – "Gradient Map" and "Levels", use the same way just like in the previous steps with the background layer.





Step 10
Insert frog image.


Step 11
Select frog silhouette with Polygonal Lasso Tool. Correct selection using Refine Edge settings.




Step 12
Copy selected frog shape and paste it into a new layer – "frog shape" on the screen shot. Duplicate original frog layer. Make one of the duplicates invisible(original frog layer will be needed in the future steps), and make second one black & white. We will keep black and white layer to save shadow effect from the original image -" frog_bl&wh_shadow" layer on the screen shot. To make layer monochrome, go to Image > Adjustments > Black and White. In order to hide white background, apply Multiply Blending Mode and Opacity 75%.



Step 13
Add Cyan shade to the black & white layer, use Photo Filter Clipping Mask.


Step 14
To improve frog’s shape contour and mask small defects add Inner glow effect with following setting.



Step 15
This step is very similar to the "Step 9". In order to create blue skin effect, add "Gradient Map" clipping mask with colors like on the image below. Apply Opacity 96% to the clipping mask.




Step 16
Touch "Gradient Map" Layer Mask with large translucent and soft Brush Tool.


Step 17
Find the original frog layer, load selection for the eyes area, copy and paste it above blue skin layers. Apply "Underwater" Photo Filter Clipping Mask to the eyes.



Step 18
Make eyes shinier in marked areas with Dodge Tool, use soft brush.


Step 19
Make frog sharper and glossier. Return to the original frog layer again. Load selection for the frog silhouette. To load selection you may use is already extracted frog shape, just Command/Ctrl + click blue frog layer thumbnail. Copy selected frog shape in the original layer and paste it above of all frog layers. Apply High Pass Filter to this layer. Go to Filter > Other > High Pass. Apply Overlay effect to created layer. Add Layer Mask to the layer by clicking icon. Fill Mask with black color and process marked areas with soft white brush like on the screen shot.



Step 20
Open frog’s mouth image and erase the background around the mouth. Duplicate mouth shape, we will use one of the copy to create the tongue.



Step 21
Go to Edit > Transform > Rotate, rotate the mouth a bit, then use Free Transformation to stretch it by vertical.


Step 22
Change the shape of the mouth with Warp Transformation. Edit > Transform > Warp. Correct the mouth contour in the Layer Mask with small brush or just use Eraser Tool.



Step 23.
Lighten some areas with Dodge Tool to make good balance between a skin tone and a mouth.


Step 24
Add following adjustment Clipping Masks to the mouth.




Step 25
In order to leave the mouth pink and create smooth blending effect, touch layer mask of the Hue/Saturation balance with soft black Brush Tool.


Step 26
Group frog layers except mouth, duplicate the group and merge it. Erase the all area around bottom lip and place it above mouth layer.


Step 27
Transform a lip using Warp Transformation, use very similar method as for mouth transformation.


Step 28
Erase small defects and outstanding contours.


Step 29
Make active original mouth layer. Select the tongue area, copy and paste it into a new layer.


Step 30
Go to Edit > Transform > Flip Horizontal, then transform it like on the screen shot and stretch by length.



Step 31
Apply Warp Transformation to the tongue shape.


Step 32
Improve tongue silhouette with Liquify Filter. Filter > Liquify. Choose Forward Warp Tool and use different brushes sizes for different parts of the tongue.


Step 33
Adjust Color Balance.



Step 34
We need to create a texture for the tongue. I used a frog skin texture. Arrange skin over the tongue shape and apply Smart Sharpen Filter – Filter > Sharpen > Smart sharpen.




Step 35
Make texture black and white, Go to Image > Adjustments > Black & White. Create clipping mask from created texture, right click layer thumbnail and choose "Create Clipping Mask". Apply Overlay blending mode and Opacity 90% to the clipping mask. Erase small (selected on the screen shot) areas to make a structure more natural.



Step 36
Load selection for the tongue layer and fill it wit any color in a new layer. Adjust Fill = 0% and apply Bevel and Emboss effect.



Step 37
Merge tongue layers and process green marked area on the screen shot with Burn Tool to make shadow effect.


Step 38
Copy a tip of the tongue and paste it into a new layer, move a little bit left, load selection for the original tongue layer and cut out selected area from the copied tip, move reflection layer again, just leave very small space between tongue and reflection. Apply Opacity 44% to reflection layer. Then repeat the previous actions and create the second reflection layer, but apply Multiply Blending Mode and erase dashed area on the screen shot with smooth brush.



Step 39
Insert dragonfly image: File > Insert, rotate it.


Step 40
Apply Multiply Blending Mode to this layer and Opacity 70% (1). Add "Gradient Map" clipping mask with the same colors as for the frog’s blue skin (2). Create Layer Mask for the dragonfly layer and fill it with linear black and white gradient (3). Load selection for created Layer Mask – Command/Ctrl + click Mask thumbnail and inverse it, go to Select > Inverse. Keep selection, go to Filter > Blur > Gaussian blur (4) and apply settings like on the screen shot below.




Step 41
Insert mosquito image, apply Multiply Blending Mode, and add adjustment "Photo Filter" clipping Mask. In order to dip insect to the ice, create layer mask for the mosquito layer and process it with translucent Brush Tool (use brush Opacity around 10 – 15%).



Step 42
To dip frogs into the ice, use similar method. Insert image, make white background cleaner using Levels adjustments.



Step 43
Apply Multiply Blending Mode to hide white background, play with Opacity, change color balance using the same Gradient Map as for blue skin and dragonfly layer.



Step 44
Besides "Gradient map" and Multiply Blending Mode, apply Gaussian blur filter for the far frogs.




Step 45
Merge all frog layers except "shadow layer" and duplicate merged layer twice. Place duplicated layers under the original frog layer. Apply Filter > Distort > Glass filter to the both of duplicates, you may find settings in the screen shot below.


Step 46
In order to create reflection, move one layer upside down, go to Edit > Transform > Flip Vertical. Move this layer down, add layer mask and fill it with black color. Choose large soft white brush and erase a spot like on the screen shot. Apply Flip Horizontal transformation to the second duplicate and move it left. Try to join tongue tips of the original frog and reflection. Add Layer Mask to this layer too. Fill it with linear black and white gradient like on the example below.



Step 47
Merge all layers. Go to Filter > Distort > Lens Correction and apply Vignette effect. Duplicate this layer, go Image > Adjustments > Equalize. Apply Soft Light Blending Mode and Opacity 12%.



Final Image
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